Free Dimension Broadcasts (FDB) is an emerging music platform dedicated to amplifying independent artists through curated broadcasts, live sessions, and community-driven programming. Operating at the intersection of music, culture, and media, FDB required a visual identity that felt both rooted in broadcast history and forward-looking enough to support its long-term growth. As an early-stage platform, the challenge wasn’t volume or scale — it was establishing credibility, clarity, and a recognizable presence from day one.

The brand draws from the visual authority of legacy television networks while reinterpreting those cues through a contemporary, culture-forward lens.

The challenge was not simply creating a logo or website but designing a brand system that could feel timeless and authoritative while remaining flexible enough to evolve alongside a growing creative platform. FDB needed to feel established without feeling fixed. We identified that broadcast culture already carries a deep sense of trust, familiarity, and ritual. By referencing that visual language—rather than chasing contemporary music trends—FDB could position itself as a dependable cultural signal, even in its early stages.


Rather than designing isolated assets, we focused on building a flexible identity system that the FDB team could extend independently. The logo is a reimagined take on classic broadcast marks (CBS, PBS), emphasizing symmetry, structure, and recognition. The color palette is pulled from the ambient glow of the FDB studio environment—creating a palette that feels atmospheric rather than branded. The typography was selected for clarity and neutrality, allowing the artist's content to remain the focal point. As an image treatment, we introduced a repeatable static-inspired photo effect, referencing analog television interference while remaining easy to apply across content. The result is a system that feels intentional without feeling precious.

The resulting identity gives Free Dimension Broadcasts a solid visual foundation on which to grow—one that establishes trust early on while remaining adaptable enough to evolve with the platform. As FDB grows, the system is designed to stretch rather than break. In future iterations, we would consider broadening the motion language to deepen the broadcast metaphor across both live and recorded formats.
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The brand draws from the visual authority of legacy television networks while reinterpreting those cues through a contemporary, culture-forward lens.

The challenge was not simply creating a logo or website but designing a brand system that could feel timeless and authoritative while remaining flexible enough to evolve alongside a growing creative platform. FDB needed to feel established without feeling fixed. We identified that broadcast culture already carries a deep sense of trust, familiarity, and ritual. By referencing that visual language—rather than chasing contemporary music trends—FDB could position itself as a dependable cultural signal, even in its early stages.


Rather than designing isolated assets, we focused on building a flexible identity system that the FDB team could extend independently. The logo is a reimagined take on classic broadcast marks (CBS, PBS), emphasizing symmetry, structure, and recognition. The color palette is pulled from the ambient glow of the FDB studio environment—creating a palette that feels atmospheric rather than branded. The typography was selected for clarity and neutrality, allowing the artist's content to remain the focal point. As an image treatment, we introduced a repeatable static-inspired photo effect, referencing analog television interference while remaining easy to apply across content. The result is a system that feels intentional without feeling precious.

The resulting identity gives Free Dimension Broadcasts a solid visual foundation on which to grow—one that establishes trust early on while remaining adaptable enough to evolve with the platform. As FDB grows, the system is designed to stretch rather than break. In future iterations, we would consider broadening the motion language to deepen the broadcast metaphor across both live and recorded formats.
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